Review of Augmented Reality and Virtual Reality Techniques in Rock Art

Blanco, Silvia; Carrión, Berta; Lerma, José Luis

doi:10.4995/arqueologica8.2016.3561

Cited by 6 publications

(4 citation statements)

References 9 publications

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“…Las tecnologías de realidad virtual implican desarrollar y crear entornos completamente digitales, a través de modelos fotogramétricos de alta resolución y modelados 3D 5 . A menudo, involucran el empleo de motores de videojuegos para su desarrollo y ejecución (Blanco-Pons et al, 2016). Estas tecnologías ofrecen a les usuaries un alto grado de interacción, bajo modalidades muy realistas: a través del movimiento físico permiten explorar el entorno virtual como se haría en la vida real.…”

Section: Experiencias Inmersivas Y Comunicaciónunclassified

Tecnologías inmersivas y comunicación científica: reflexiones desde la creación de una visita 360° a la cueva de La Candelaria (Dpto. Ancasti, Catamarca)

Ahets Etcheberry,

Landino,

Gheco

2024

Rev. Mus. Antrop.

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En los últimos años, los medios masivos y dispositivos digitales han transformado las prácticas de comunicación científica a una escala global, con nuevas estrategias para transmitir conocimientos. Este trabajo reflexiona acerca de una experiencia de aplicación de tecnologías inmersivas para la comunicación pública de las investigaciones arqueológicas desarrolladas en un sitio con arte rupestre de la sierra de El Alto-Ancasti (Catamarca, Argentina). La cueva de La Candelaria, investigada desde la década de 1980, alberga un conjunto excepcional de pinturas rupestres. Sin embargo, muchos de estos saberes han permanecido en el ámbito académico, en formatos poco accesibles para muchas personas. Con el objetivo de sociabilizar este abrigo y los conocimientos académicos a públicos diversos, nos propusimos desarrollar una visita virtual, interactiva e inmersiva, de acceso libre y gratuito. Considerando los desafíos enfrentados durante su producción, en este trabajo reflexionamos sobre las oportunidades, ventajas y limitaciones que estas tecnologías presentan para la comunicación científica en Arqueología. Las conclusiones de este trabajo subrayan la importancia de incorporar etapas mantenimiento y retroalimentación del recurso generado para favorecer su impacto en la sociedad.

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Section: Experiencias Inmersivas Y Comunicaciónunclassified

Tecnologías inmersivas y comunicación científica: reflexiones desde la creación de una visita 360° a la cueva de La Candelaria (Dpto. Ancasti, Catamarca)

Ahets Etcheberry,

Landino,

Gheco

2024

Rev. Mus. Antrop.

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“…As such, for this study, different actions have been developed to display and modify the virtual content using Unity, a powerful cross-platform game engine with the ability to manipulate 3D content using C# scripting. This software, compared to others, is the easiest to use [36] and Vuforia Library provides a plugin for it.…”

Section: Interactivitymentioning

confidence: 99%

Augmented Reality Markerless Multi-Image Outdoor Tracking System for the Historical Buildings on Parliament Hill

et al. 2019

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Augmented Reality (AR) applications have experienced extraordinary growth recently, evolving into a well-established method for the dissemination and communication of content related to cultural heritage—including education. AR applications have been used in museums and gallery exhibitions and virtual reconstructions of historic interiors. However, the circumstances of an outdoor environment can be problematic. This paper presents a methodology to develop immersive AR applications based on the recognition of outdoor buildings. To demonstrate this methodology, a case study focused on the Parliament Buildings National Historic Site in Ottawa, Canada has been conducted. The site is currently undergoing a multiyear rehabilitation program that will make access to parts of this national monument inaccessible to the public. AR experiences, including simulated photo merging of historic and present content, are proposed as one tool that can enrich the Parliament Hill visit during the rehabilitation. Outdoor AR experiences are limited by factors, such as variable lighting (and shadows) conditions, caused by changes in the environment (objects height and orientation, obstructions, occlusions), the weather, and the time of day. This paper proposes a workflow to solve some of these issues from a multi-image tracking approach.

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“…To this extent, the conservation of UNESCO Cultural Heritage, both in terms of tangible and intangible ones, should be directed in preserving and promoting the cultural heritage objects and the living traditions based on the Five Cs outlined above. The rise of Information Communication Technology (ICT) has brought a significant impact on the process of heritage documentation (Blanco, Carrión, & Lerma, 2016). ICT plays major roles in cultural heritage dissemination, as it provides possibilities to showcase cultural heritage information in forms of texts, audio, 2D/3D images, and videos through various digital platforms (Redweik, Cláudiob, Carmob, Naranjoc, & Sanjosé, 2017).…”

Section: Introductionmentioning

confidence: 99%

From web 1.0 to web 4.0: the digital heritage platforms for UNESCO’s heritage properties in Indonesia

Permatasari

Qohar²,

Rachman

2020

Virtual archaeol. rev.

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The advent of information and communication technologies (ICTs) has had and is having a major impact on Indonesian cultural resource management, and on the safeguarding methods of its tangible and intangible cultural heritages. Despite varied levels and visible gaps between rural and urban regions in terms of technology usage, innovative initiatives have been created, which correspond to the needs and expectations of a technology-savvy public. As a starting point, a number of public institutions dealing with tangible cultural heritage (e.g. museums, palaces, temples, World Heritage Sites (WHS)) do use innovative digital tools in order to communicate to various audiences, as well as to enrich visitors’ experience, especially taking into consideration young generations. This paper will firstly examine the role of ICTs in intangible cultural heritage (ICH) (e.g. Batik, Wayang puppet theatre, etc.); secondly, the authors will explain how ICTs can help to communicate and promote the values, history, and significances of ICH products, both for locals and tourists, with the goal of raising awareness on cultural identity. However, the knowledge of ICH still requires contacts with its own communities and is vulnerable, as it can be exposed to excessive cultural commoditization through e-platforms. This study aims at giving an overview and some examples of digital interventions for cultural heritage communication implemented by various stakeholders in Indonesia. In addition, this paper analyses to what extent a participatory approach engaging local communities, academics, private sectors, NGOs and the government, can ensure higher levels of effectiveness and efficiency, hence supporting the conservation of UNESCO tangible/ICH in Indonesia. This paper aims at: (1) presenting the development of digital heritage platforms in Indonesia; (2) providing a grid of analysis of digital heritage knowledge platforms dedicated to UNESCO tangible and ICH in forms of websites and mobile apps.Highlights:<ul><li>Providing a map of the online presence of UNESCO World Heritage Sites (WHSs) in Indonesia by analysing 180 webpages in English and Indonesian languages.</li><li>Identifying several types of digital heritage websites in Indonesia based on the set of categories.</li><li>Classifying a map of 312 mobile apps dealing with UNESCO WHSs and Intangible Cultural Heritage (ICH) in Indonesia, which were retrieved from Android and iOS platforms.</li></ul>

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Review of Augmented Reality and Virtual Reality Techniques in Rock Art

Cited by 6 publications

References 9 publications

Tecnologías inmersivas y comunicación científica: reflexiones desde la creación de una visita 360° a la cueva de La Candelaria (Dpto. Ancasti, Catamarca)

Tecnologías inmersivas y comunicación científica: reflexiones desde la creación de una visita 360° a la cueva de La Candelaria (Dpto. Ancasti, Catamarca)

Augmented Reality Markerless Multi-Image Outdoor Tracking System for the Historical Buildings on Parliament Hill

From web 1.0 to web 4.0: the digital heritage platforms for UNESCO’s heritage properties in Indonesia

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