2011
DOI: 10.1162/octo_a_00071
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Returns of the Archaic, Reserves for the Future: A Conversation with Alexander Kluge

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“…Indeed, like Steyerl's installation, Wer sich traut functions as a persistent engage ment with digital image culture through a dialectical process of entry and distillation, creation and "image destruction," extending these importantly collaborative projects of the Frankfurt School into the digital domain. 3 While his prominence in the call for papers (and in the world of German film and media more generally) may have led some German colleagues to anticipate a "Kluge that have yet to be realized. Maybe it was the jet lag, but I felt welcomed, again, into the contemplation of potentiality via Melian's practice of openness: through accu mulation without closure, through sounds without corre sponding images, through historical fragments that remain available resources for the future.…”
Section: N D a D Ria N M A Rtin In C O N V E Rs A Tio N W Ith M A Rtimentioning
confidence: 99%
“…Indeed, like Steyerl's installation, Wer sich traut functions as a persistent engage ment with digital image culture through a dialectical process of entry and distillation, creation and "image destruction," extending these importantly collaborative projects of the Frankfurt School into the digital domain. 3 While his prominence in the call for papers (and in the world of German film and media more generally) may have led some German colleagues to anticipate a "Kluge that have yet to be realized. Maybe it was the jet lag, but I felt welcomed, again, into the contemplation of potentiality via Melian's practice of openness: through accu mulation without closure, through sounds without corre sponding images, through historical fragments that remain available resources for the future.…”
Section: N D a D Ria N M A Rtin In C O N V E Rs A Tio N W Ith M A Rtimentioning
confidence: 99%