“…It focuses explicitly on the tangential ideas that can be grasped by both parties and draws on a range of multimodal learning tools such as video, photography, analytical writing, and reflective learning narratives. It also responds to an increasing dialogue in research about the significance and benefits of arts-based self-study methods (Hostetler, Macintyre Latta, & Sarroub, 2007;Pithouse, Mitchell, & Weber, 2009;Samaras & Roberts, 2011) and accommodates an ethico-aesthetic paradigm (Guattari, 1995) or what Springgay (2011) refers to as building a capacity for ethical pedagogical sensibilities. Such an approach acknowledges that teachers' learning and their subsequent pedagogies have been shaped by personal events, media, and institutional structures and that participatory inquiry requires them to acknowledge and balance their own subjectivity production as teacher with a critical lens that values the inter-personal relationships, multiple creative and aesthetic sensibilities, and cognitive complexities that surround the experience, stories, memory work, and affective responses of their students.…”