Abstract:The scholarly consensus holds that Robert Herrick’s printed book of poems, Hesperides (1648), is the work of a royalist partisan. Yet for all its clear signs of royalism—from the large crown on the title page to the dedication to Prince Charles—Hesperides contains a much wider range of ideological and social commitments. Alongside the absolutist couplets are constitutionalist epigrams; mixed in with the pro-Stuart panegyrics, we find praises of parliamentarians. I trace this diversity to the book’s literary mo… Show more
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