1995
DOI: 10.1109/47.475591
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Responses of American readers to visual aspects of a mid-sized Japanese company's annual report: a case study

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Cited by 12 publications
(13 citation statements)
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“…Nevertheless, this decorational relationship is especially more visible in high context cultures, where aesthetic proposes are central, compared to technical or explanatory purposes in low context cultures [24]. Some authors [33] believe that Japanese emphasize aesthetics a lot and that it is important for them to give readers a good impression. So, visuals don't necessarily need to be related to the text.…”
Section: The Relationship Between Visuals and Textsmentioning
confidence: 99%
“…Nevertheless, this decorational relationship is especially more visible in high context cultures, where aesthetic proposes are central, compared to technical or explanatory purposes in low context cultures [24]. Some authors [33] believe that Japanese emphasize aesthetics a lot and that it is important for them to give readers a good impression. So, visuals don't necessarily need to be related to the text.…”
Section: The Relationship Between Visuals and Textsmentioning
confidence: 99%
“…This expectation is not just limited to technical manuals but extends to promotional business communication. As Maitra and Goswami found out, when reading a company annual report (which should have an unmistaken promotional purpose), American readers still expect clear and simple visuals that bear direct correspondence to the text [8]. Given these expectations, it is not surprising that visual metaphors, which are ambiguous in nature, are not popular in the American samples.…”
Section: Visual Metaphors: Will They Enlighten or Confuse?mentioning
confidence: 99%
“…Comparing Chinese and American manuals, Wang found that visuals used in Chinese manuals tend to emphasize technical information, whereas those in American manuals focus on task performance [7]. In another study, Maitra and Goswami found that American readers expect clear and simple visuals in company annual reports, whereas Japanese readers prefer aesthetically pleasing and semantically ambiguous visuals [8].…”
Section: Introductionmentioning
confidence: 99%
“…Icons, for example, pose particular challenges as Bosley [29] points out, because very few symbols have reached universal acceptance. Following a similar line of reason, Maitra and Goswami argue for a culturally sensitive visual design practice that takes into account the national origin of readers [30] while Kostelnick's discussion of "flatman" the non specific, two dimensional iconic figures that appear on restroom signs in airports, for example shows that some symbols have reached nearly universal acceptance [3 1]. Beyond revealing the information that users need to know, though, graphics play an important role in carrying the affective values associated with products [5].…”
Section: Graphicsmentioning
confidence: 96%