1998
DOI: 10.1111/j.1467-954x.1997.tb03460.x
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Resisting Pictures: Representation, Distribution and Ontological Politics

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Cited by 8 publications
(4 citation statements)
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“…This is partly because "re-presentation" is not about reflecting an objective world "out there", but is about presenting the world and making choices about what the world is or is not (Law & Benschop, 1997). This process of choosing what composes the world (its ontology) is inherently 114 M. Tait & O.…”
Section: The Representation Of Space and The Translation Of Ideasmentioning
confidence: 95%
“…This is partly because "re-presentation" is not about reflecting an objective world "out there", but is about presenting the world and making choices about what the world is or is not (Law & Benschop, 1997). This process of choosing what composes the world (its ontology) is inherently 114 M. Tait & O.…”
Section: The Representation Of Space and The Translation Of Ideasmentioning
confidence: 95%
“…At the internal level, researchers in integrated research must negotiate the creative tensions between various agendas, interests, agendas, methods and objects of inquiry between themselves and their collaborators. This is the work of managing differences between scientific and other knowledge/s, or what science studies scholars have called the business of 'ontological politics' (Law and Benschop, 1997;Mol, 1999). The social relations between researchers necessarily involve contestation, debate and the exercise of power (Gardner, 2013) in order to achieve certain outcomes.…”
Section: Was Integration Effective In the Project?mentioning
confidence: 98%
“…Justesen and Mouritsen () show how multiple modes of accounting can be enacted through the same set of visual images, namely photographs and 3D visualizations in the annual reports of a property development firm, that serve both to engage the ‘outside’ world to the activities of the firm, and to enrol those affiliated with the firm in certain roles and obligations (see also Mouritsen et al ., ). Law and Benschop () juxtapose four traditions in painting (from geometrical Renaissance art to Aboriginal art) to show how these frame subject/object distinctions, narratives and spatialities in different ways. This juxtaposition serves to denaturalize a ‘perspectival’ mode of accounting in which everything has to add up, instead creating room for multiplicity.…”
Section: Accountability Visual Evidence and Organizationmentioning
confidence: 99%