Researching interactional forms and participant structures in public and social media

Chovanec, Ján; Dynel, Marta

doi:10.1075/pbns.256.01cho

Cited by 14 publications

(4 citation statements)

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“…Participating with the content, e.g. by sharing, liking, and emulating existing humorous artefacts, constitutes a novel form of intertextuality, particularly as regards the online engagement with technologymediated content in the social media (Chovanec & Dynel 2015;Tsakona 2018c).…”

Section: Introductionmentioning

confidence: 99%

Revisiting intertextuality and humour: fresh perspectives on a classic topic

Tsakona¹,

Chovanec

2020

EJHR

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In humour research, intertextuality has been extensively studied with the aim of understanding how humorous texts are constructed on the basis of previous texts. In this paper, we elaborate on the sociopragmatic functions of intertextuality, pointing out not only how humorous texts rely on previous texts and background knowledge, but also what sociopragmatic functions intertextuality serves in actual communicative situations, e.g. the effect the recognition (or not) of intertextual references has on the segmentation of recipients into various groups. To this end, the paper discusses intertextuality in relation to such traditional concepts as textuality and genre, and adds a focus on the speaker’s intention and the recipient’s interpretation. The paper serves as a framing introduction to six other papers in the special issue on the topic of “Intertextuality and humour”, articulating a common research position and arguing for the extension of scholarly attention to such applied domains as critical literacy education, marketing communication, and the legal framework regulating the creation and reception of humorous texts and artefacts.

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Section: Introductionmentioning

confidence: 99%

Revisiting intertextuality and humour: fresh perspectives on a classic topic

Tsakona¹,

Chovanec

2020

EJHR

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“…S obzirom na brzinu rasta i razvoja, Instagram ima iznimnu važnost i moć u smislu oblikovanja i prenošenja informacija, formiranja društvenih odnosa i bezgranične povezanosti. Upravo specifičnosti stvaranja i održavanja društvenih odnosa (Serafinelli, 2017;Hu i dr., 2014;McCune, 2011) i interakcija (Ihsanuddin, Anuar, 2016;Chovanec, Dynel, 2015;McCune, 2011) na društvenim medijima čine te medije zanimljivim sociološkim predmetom istraživanja.…”

Section: Uvodunclassified

“…Koncept okvira za sudjelovanje čini osnovnu komponentu interakcije, vjerojatno najvažniju, budući da značenje poruke, bilo da je ona izgovorena, napisana ili multimodalna 3 , ovisi o ulozi sudionika u proizvodnji i recepciji komunikacijskog čina, odnosno o tome tko komunicira s kim (Chovanec, Dynel, 2015: 1-2). Interakcije na društvenim mrežama okarakterizirane su prostornom odvojenošću govornika i "slušatelja" kojima se pripisuje "neodređeno slušanje", odnosno beskonačnim brojem potencijalnih sudionika koji mogu primiti poruku i obično se međusobno ne poznaju (Chovanec, Dynel, 2015: 6-7).…”

Section: Komunikacijsko-interakcijski Aspekti Instagramaunclassified

Instagram: A Contribution to Sociological Research of Youth Activities on Social Networks

Lončar,

Šuljug Vučica,

Hržić

2023

Medijska istraž. (Online)

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Instagram, kao jedna od platformi društvenih medija, prisutan je u društvu već cijelo jedno desetljeće. Od pojave društvenih mreža upravo je Instagram jedna od najbrže rastućih što ukazuje na važnost i utjecaj koju ima. Kao takva, donosi promjene u društvu na brojnim razinama. Premda je nastala s ciljem dijeljenja fotografija i videozapisa i to u svrhu zabave, Instagram kao društvena mreža pruža i mogućnosti komunikacije i interakcije među njezinim korisnicima. Time otvara prostor za istraživanje različitih (društvenih) aspekata ove platforme. Cilj istraživanja bio je ispitati iskustva korištenja Instagrama među mladima u Splitu, s obzirom na nedostatak takvih istraživanja u Hrvatskoj. Posebnim istraživačkim ciljevima ispitivala se aktivnost mladih na Instagramu i razlike u komunikacijsko-interakcijskim aspektima Instagrama s obzirom na spol. Istraživanje je provedeno 2019. godine na području Splita i okolice na prigodnom uzorku (N=566). Rezultati istraživanja pokazali su kako većina mladih u Splitu posjeduje profil na Instagramu. S obzirom na to da pretežno imaju privatni profil, ne iznenađuje to da se interakcija i komunikacija odvijaju s korisniku bliskim i poznatim osobama. Među načinima komuniciranja među mladima, posebno se ističu objava sadržaja i reakcija lajkom na sadržaj drugih. Premda su većina mladih u Splitu aktivni akteri u virtualnoj stvarnosti jedne od najpotentnijih društvenih mreža, analiza je pokazala razlike s obzirom na spol, pri čemu žene učestalije objavljuju i reagiraju na tuđe objave (lajkom i komentarom). Ujedno, žene u većoj mjeri pripremaju pozadinu i namještaju pozu prije fotografiranja i uređuju fotografiju te koriste filtre što ukazuje na to da one daju više pozornosti o dojmu koji ostavljaju na Instagramu.

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“…Al Zidjaly, 2017; Marcus and Singer, 2017), is then an important hallmark of participatory culture , with message receivers (e.g. readers of online newspapers) being granted participatory privileges on the production end (see, for example, Chovanec and Dynel, 2015, and references therein). Thus, ordinary Internet users become active producers of the online content, for instance, by contributing posts to be read and commented on by wide audiences, that is, other users.…”

Section: Aim Of This Study On Dark Humour In Posts On the Internetmentioning

confidence: 99%

In tragoedia risus: Analysis of dark humour in post-terrorist attack discourse

Dynel

Poppi

2018

Discourse & Communication

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In this article, we examine dark humour in Internet posts commenting on an online Italian newspaper report published by Il Fatto Quotidiano and devoted to the 2016 terrorist attack in Nice. The analysis focuses on the linguistic forms and socio-pragmatic functions of this dark humour in the wake of the tragedy. We argue that the creative humorous posts are meant to communicate Internet users’ ideologies conceptualised as their true beliefs about the sociopolitical situation and that they are oriented primarily towards criticising terrorism-related themes, notably: inept security enforcement, radical Islam, political and public reactions and integration policies. The humour in the Italian posts is used as a means of displaying Internet users’ wit and attracting other users’ attention.

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Researching interactional forms and participant structures in public and social media

Cited by 14 publications

References 58 publications

Revisiting intertextuality and humour: fresh perspectives on a classic topic

Revisiting intertextuality and humour: fresh perspectives on a classic topic

Instagram: A Contribution to Sociological Research of Youth Activities on Social Networks

In tragoedia risus: Analysis of dark humour in post-terrorist attack discourse

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