Research on the Motion Picture Industry: State of the Art and New Directions Off the Beaten Track Away From Theatrical Release

Abstract

The motion picture industry has been subject of extensive academic research over the last decades. However, most scholars focused on the U.S. theatrical motion picture market. The number of research activities regarding even more profitable release windows, such as home video or television, has been substantially lower. Although international distribution is essential for a motion picture project to break even, there has been little significant re‐search on most other markets. This paper aims at summarizing the current state of research on the motion picture industry, particularly from marketing and management perspective, revealing research gaps, and proposing recommendations for future research endeavors. Therefore, a three‐pillar scheme is developed to systemize previous findings: Research on intraorganizational decision making, contractual relationships between national stakeholders, and international market competition are differentiated. Since these insights are mainly derived from U.S. theatrical exhibition, they can hardly be applied to other markets and exhibition windows. Thus, potential research areas are identified to expand knowledge of posttheatrical and international markets.

Strategic attractiveness and release decisions for cultural goods

“…We refer the interested reader to the complementary surveys of Eliashberg, Elberse, and Leenders (), Hadida (), McKenzie (), and Kumb, Kunz, and Siegert ().…”

The economics of movies (revisited): A survey of recent literature

“…Finally, survey articles focused on different areas of scholarly contribution have evolved in economics and cognate disciplines. Examples include Hadida (2009), Simonton (2009), Kumb et al (2017), Goff Inglis and Zolfaghari (2017), and Cabral (2019.…”

“…Examples include Hadida (2009), Simonton (2009), Kumb et al. (2017), Goff Inglis and Zolfaghari (2017), and Cabral (2019).…”