“…Pitch perception and its underlying coding mechanisms have been investigated for decades to understand what information is necessary for the human auditory system to extract pitch (for a review, see de Cheveigne´, 2005). Although some studies favored either a place-based (e.g., Goldstein, 1973;Ohm, 1843;Terhardt, 1974;von Helmholtz, 1877;Wightman, 1973) or a temporal approach (e.g., Licklider, 1951;Rutherford, 1886), more recent investigations suggested that both types of cues may be important for pitch coding (e.g., Cedolin & Delgutte, 2005;Heinz, Colburn, & Carney, 2001;Moore, 2003;Shamma & Klein, 2000;Oxenham, Bernstein, & Penagos, 2004).…”