Abstract:This article explores how vernacular aesthetics have been re-appropriated from pictorial to modern documentary photography over the past century to instigate a modern collective imagination of the industrial disintegration in the Chinese urban milieu. Within the scope of a discursive visual process, Jean Philippe Gauvrit (b.1963) documents the departure of the industrial urban society in his photo-essay Shanghai in JP Gauvrit (2008). The paper claims that Gauvrit’s documentary photography can be understood as … Show more
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