“…Unsurprisingly, the ‘poverty porn’ imageries of the Live Aid era and their contemporary iterations by Comic Relief and such like organisations, fuelled public and academic criticism (see e.g., Benthall, 1993; Chouliaraki, 2012; Moeller, 1999; Smillie, 1995; van der Gaag & Nash, 1987). Not least in Media and Communications Studies and International Development literature, which have critiqued how, and the compositional and colonial‐racialised modalities through which, charities problematically convey Africa(ns) in their philanthropic communications (see, e.g., Pieterse, 1992; Tester, 2001; Dogra, 2012). Indeed, the implications of this for how Euro‐American audiences view and comprehend the so‐called ‘beneficiaries’ (called ‘contributors’ 2 in this article) of INGO programmatic intervention, as well as their resultant propensity to donate (Breeze & Dean, 2012, p. 134 cite a compressive list).…”