Abstract:This essay explores the vernacular genealogies behind the rhetorical interlacement of disease, desire, and poverty in the sonnets of Robert Sidney, with references to Shakespeare’s sonnets; and it considers the implications of bringing the medieval languages of poetic selfhood to bear on our interpretation of Renaissance texts. I argue that Sidney’s figural alignment of bodily sickness, pecuniary lack, and unrequited desire contains traces of medieval English begging poetry—namely the works of Geoffrey Chaucer… Show more
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