Remixing war: An analysis of the reimagination of the Russian–Ukraine war on TikTok

Abstract

Interpretative struggles of global crises are increasingly being reflected on social media networks. TikTok is a relatively new social media platform that has achieved substantial popularity among young people in many parts of the world and is now being used to disseminate and make sense of information about the Russian invasion of Ukraine. Through a user-centered sampling approach, we collected 62 TikTok videos and conducted an in-depth qualitative analysis of them and their uploading profiles to explore how the war was being represented on the platform. Our analysis revealed a strong prevalence of remixing practices among content creators; that is, they recontextualise images, sounds and embodied self-performance within the platform-specific affordances of trends. We found that distant suffering is mediated through the emotive online self-performance of content creators, cuing their audiences toward appropriate emotional responses. Trending sounds situate videos within a singular-motif and context-diverse environment, facilitating what we theorize as affective audio networks.

The Invasion of Ukraine Viewed through TikTok: A Dataset

“…TikTok content relating to the invasion of Ukraine has been collected and studied [23,24,25]. However, to the best of our knowledge, this is the largest dataset of content on TikTok relating to the invasion of Ukraine that has been compiled by an order of magnitude.…”

A butterfly's wingbeat or a global village – a bibliometric review of the impact of the Russo- Ukrainian war

“…Eguskiza, Ignacio Gaztaka (Eguskiza, 2022) has used textual analysis to study the works of a Ukrainian war photographer. In many cases, content analysis has been used in the approaches investigating the use of Twitter (Kobilke, et al, 2023;Chen & Ferrara, 2023), TikTok (Primig, et al, 2023), and online news media (Roman, et al, 2017;Udris, et al, 2023;Hanley, et al, 2023, 327-338;Hanley, et al, 2023, 339-350). The period before the full-scale Russian agression includes content analysis of ethnic stereotypes (Sikevich, 2017).…”