2008
DOI: 10.1215/01636545-2008-003
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Relocating Critical Pedagogy

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Cited by 4 publications
(3 citation statements)
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“…Critical literacy is a theoretical and pedagogical perspective that suggests that through reading, writing, and other multimodal meaning‐making practices, people can critique and contest asymmetrical power relationships in their worlds (Janks, 2014). From this perspective, texts are never neutral (Vasquez et al, 2019), and reading and writing practices can support connections between personal experiences and broader political issues (Kamler, 2001).…”
Section: Theoretical Frameworkmentioning
confidence: 99%
“…Critical literacy is a theoretical and pedagogical perspective that suggests that through reading, writing, and other multimodal meaning‐making practices, people can critique and contest asymmetrical power relationships in their worlds (Janks, 2014). From this perspective, texts are never neutral (Vasquez et al, 2019), and reading and writing practices can support connections between personal experiences and broader political issues (Kamler, 2001).…”
Section: Theoretical Frameworkmentioning
confidence: 99%
“…Within our study, we embrace feminist principles and bring forward a communal and student-centered approach that embraces collaboration, communication, and relationships in online learning spaces. Feminist theory influences our online pedagogy by emphasizing the need for learning to be collective, flexible, and relational (hooks, 1994;Kamler, 2001) while treating students as co-educators (Romero-Hall, 2021) rather than teacher-centered, transactional, and individual. Diversity and inclusion are key values of a feminist classroom (Bricker-Jenkins & Hooyman, 1987) as feminist theory recognize hierarchies of power (Chick & Hassel, 2009;hooks, 1994), the intersectionality of identities (Carbado et al, 2013(Carbado et al, , hooks, 2000Ludlow, 2002), and recognizes learners are more than their physical or digital presence (Romero-Hall, 2021).…”
Section: Literature Reviewmentioning
confidence: 99%
“…Additionally, writing workshop texts most often feature white authors, amplifying white students' worldviews and perspectives while erasing those of Black, Indigenous and people of colour (BIPOC) students. Their voices are then further eroded through critique that replicates the aesthetic normativity of those same predominantly white model texts (Johnson & Sullivan, 2020; Kamler, 2001; Kearns, 2009; Lensmire, 1994). In response, Chavez advocates for a radical reshaping of writing workshop using humanising and community‐centred principles.…”
Section: Introductionmentioning
confidence: 99%