2015
DOI: 10.1177/0148333115585279
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Religious belief in a secular age: Literary modernism and Virginia Woolf'sMrs. Dalloway

Abstract: This article explores Virginia Woolf's conflicted relationship with Christianity, namely, her avowed atheism and hostility to religious dogma, yet her openness to mystical experience and her use of the language of Christian mysticism in her writing. In particular, Woolf's critique of secularism in her novel Mrs. Dalloway remains open at some level to Christian beliefs and values. Woolf's stream-of-consciousness technique reveals the soul as a ''sacred'' space or ''sanctuary,'' and her allusions to Christ in th… Show more

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Cited by 7 publications
(3 citation statements)
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“…Woolf's criticism of rationality is the further development of the alienation theme and also a useful reflection on modernity "during the peak of literary modernism." [15] One thing needs to be stressed, that is, this paper approaches the death of Septimus from the confrontation between humanitarianism and rationalism, a perspective seldom touched before and thus may challenge some readers' preexisting comprehension of the novella. To justify such a challenge, the writer of this paper would like to quote from Jonathan Culler, "meaning is contextbound, but context is boundless."…”
Section: Discussionmentioning
confidence: 99%
“…Woolf's criticism of rationality is the further development of the alienation theme and also a useful reflection on modernity "during the peak of literary modernism." [15] One thing needs to be stressed, that is, this paper approaches the death of Septimus from the confrontation between humanitarianism and rationalism, a perspective seldom touched before and thus may challenge some readers' preexisting comprehension of the novella. To justify such a challenge, the writer of this paper would like to quote from Jonathan Culler, "meaning is contextbound, but context is boundless."…”
Section: Discussionmentioning
confidence: 99%
“…Hemingway's fellow modernists shifted the focus of fiction to the secular exploration of "Christian archetypes, imagery, and symbols" (Griesinger, 2015, p. 455). According to Griesinger (2015), the religious symbols in modernist fiction, if present, are primarily observed within the context of the secular. Therefore, their portrayal and exploration significantly differ compared to the previous times.…”
Section: Seeing a Troubled World: Pain And Consolationmentioning
confidence: 99%
“…Septimus loses his manliness by becoming shell-shocked; he has failed to behave in the manner society expects of him. Consequently, the question arises whether Septimus becomes feminine through his sobbing and is excused from becoming a recognized griever by his gender (Griesinger, 2015). Hence, one can argue that Septimus and Clarissa are both womanly roles, as they are both oppressed by masculine-dominated structures.…”
mentioning
confidence: 99%