2015
DOI: 10.1007/s11049-015-9314-8
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Relative clause extraposition and prosody in German

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Cited by 17 publications
(32 citation statements)
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References 63 publications
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“…Trouvain et al (1998) provides an example of how intensity can be used as a cue for a phrase break in English. In a production study on prosodic phrasing in German, Poschmann and Wagner (2016) found that intensity is a cue to phrasing comparable in reliability to pre-boundary lengthening, such that intensity is adjusted high at the beginnings of phrases and then drops toward the end of the phrase. This was found to be a cue for phrasing distinctions even utterance-medially, so the scaling of intensity did not appear to be simply a result of the drop in sub-glottal pressure while exhaling.…”
Section: Syntactic Constituent Structure and Phrasingmentioning
confidence: 99%
“…Trouvain et al (1998) provides an example of how intensity can be used as a cue for a phrase break in English. In a production study on prosodic phrasing in German, Poschmann and Wagner (2016) found that intensity is a cue to phrasing comparable in reliability to pre-boundary lengthening, such that intensity is adjusted high at the beginnings of phrases and then drops toward the end of the phrase. This was found to be a cue for phrasing distinctions even utterance-medially, so the scaling of intensity did not appear to be simply a result of the drop in sub-glottal pressure while exhaling.…”
Section: Syntactic Constituent Structure and Phrasingmentioning
confidence: 99%
“…Although the latter has been shown to be most relevant in encoding focus (see Ladd 1980;Wagner 2005;Ladd 2008; among others), absolute measures of prominence are harder to interpret. For example, a word placed earlier in a phrase will tend to have higher intensity than a word later in a phrase (Poschmann & Wagner 2016), as the latter might have lower pitch due to declination and downstep effects (cf. Ladd 2008).…”
Section: Quantitative Measuresmentioning
confidence: 99%
“…The models included Focus and number of syllables (1 or 2) and their 26 Note that relative duration measures are negative because the given constituent tended to be longer in terms of number of segments than the focused one. Intensity generally decreases throughout a phrase (Poschmann & Wagner 2016), which is one reason why relative intensity measures are positive even when focus was not marked. Likewise, pitch declines throughout an utterance due to declination and downstep, which is likely one reason why relative pitch tends to be positive even in the absence of focus marking.…”
mentioning
confidence: 99%
“…Given that there is strong evidence that readers impose a silent prosody when reading (see Fodor, 2013 for a summary), the longer reading duration of the relative pronoun in object-modification may correspond to a break, marking the extraposition. Extraposition has been shown to be costly when not contextually expected in comprehension studies (Levy, Fedorenko, Breen, & Gibson, 2012), and has been shown to result in a greater likelihood of pauses and greater production duration of preceding material in Poschmann & Wagner (2016). Our data do not speak to whether extraposition had an effect in our data, but it may provide an overarching account of both the production and comprehension data.…”
Section: Relative Clause Position and The Information Flow Accountmentioning
confidence: 57%