“…The approach discussed in the article draws on recent theorizing in relational sociology (Dépelteau, , 2015(Dépelteau, , 2018a(Dépelteau, , 2018bDépelteau and Powell, 2013;Morgner, 2020;Powell and Dépelteau, 2013) to consider the potential of a theoretical prospectus which sees no necessary antinomy between 'micro' and 'macro' accounts of music's place in social life, but instead adopts a 'flat' social ontology and a process-relational, transactional 2 approach to what has heretofore largely been theorized as the 'interaction' of music and listeners. In what may strike some readers as a somewhat paradoxical move, rather than seeing the work of so-called 'micro'-sociologists of music as excessively focused on instances of aesthetic experience, I suggest that if we are to gain a better understanding of music's variable functioning within social life, these accounts do not, in fact, go far enough in either empirical or theoretic terms.…”