REGIONAL DEVELOPMENT AND PLANNING: A READER. Edited by John Friedmann and William Alonso

Dart, James

doi:10.1111/j.1745-7939.1967.tb00073.x

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Acoustic and Electroacoustic Connections1

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2001

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“…instead of working from instruments to electronic sounds, which one can do, so that the electronic sounds become an extension of the instruments, it's the other way around. (Dart 2000a) John Elmsly's work in this genre includes Echoes and Chorus (1981) for clarinet, the MIDI-generated Triptych (1985) for trumpet, Gestauqua (1989) for brass quintet, and the largely granular synthesised Drift (1994) for viola and tape. In Gestauqua, the composer 'designed his electronic sounds not only to blend musically with the brass instruments generally, but even to match the specific tone qualities of our group' (Cooper 2000).…”

Section: Acoustic and Electroacoustic Connectionsmentioning

confidence: 99%

A view of computer music from New Zealand: Auckland, Waikato and the Asia/Pacific connection

2001

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Dealing predominantly with ‘art music’ aspects of electroacoustic music practice, this paper looks at cultural, aesthetic, environmental and technical influences on current and emerging practices from the upper half of the North Island of New Zealand. It also discusses the influences of Asian and Pacific cultures on the idiom locally. Rather than dwell on the similarities with current international styles, the focus is largely on some of the differences.

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Section: Acoustic and Electroacoustic Connectionsmentioning

confidence: 99%