2012
DOI: 10.1057/9780230354821
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Refugees, Theatre and Crisis

Abstract: Performance Interventions is a series of monographs and essay collections on theatre, performance, and visual culture that share an underlying commitment to the radical and political potential of the arts in our contemporary moment, or give consideration to performance and to visual culture from the past deemed crucial to a social and political present. Performance Interventions moves transversally across artistic and ideological boundaries to publish work that promotes dialogue between practitioners and acade… Show more

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Cited by 67 publications
(5 citation statements)
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References 25 publications
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“…Our first case study consists of a participatory applied-theater intervention with Syrian youngsters from different ethnic and religious backgrounds who were resettled in Belgium (de Smet et al, 2019). At the heart of applied theater as a psychosocial intervention lies an emphasis on a participatory approach to theater-making processes, which endeavor toward active dynamics of regaining agency and giving voice to refugees (Balfour, 2013; Bhimji, 2016; de Smet et al, 2018; Jeffers, 2012). The intervention was initiated in partnership with a community center and a professional theater director in the autumn of 2017.…”
Section: Methodsmentioning
confidence: 99%
See 1 more Smart Citation
“…Our first case study consists of a participatory applied-theater intervention with Syrian youngsters from different ethnic and religious backgrounds who were resettled in Belgium (de Smet et al, 2019). At the heart of applied theater as a psychosocial intervention lies an emphasis on a participatory approach to theater-making processes, which endeavor toward active dynamics of regaining agency and giving voice to refugees (Balfour, 2013; Bhimji, 2016; de Smet et al, 2018; Jeffers, 2012). The intervention was initiated in partnership with a community center and a professional theater director in the autumn of 2017.…”
Section: Methodsmentioning
confidence: 99%
“…This article is intended solely for the personal use of the individual user and is not to be disseminated broadly. (Balfour, 2013;Bhimji, 2016;de Smet et al, 2018;Jeffers, 2012). The intervention was initiated in partnership with a community center and a professional theater director in the autumn of 2017.…”
Section: Case Studymentioning
confidence: 99%
“…Scholars and practitioners within the arts have been exploring the liminal space of the state border and its impact on people, experimenting with different typologies and techniques (Cox, 2015;Cox & Wake, 2018;Guterman, 2014;Jeffers, 2012;Noriega, 2016). Artists and activists are capable of pushing and lifting the border boundaries imposed by a narrative of state security, to allow the acts that occur at the border to reach our gaze, thereby improving our understanding of this liminal space.…”
Section: Gendered Violence and The Theater Of The Bordermentioning
confidence: 99%
“…Diverse artistic representations and performances of border crossing and its associated violent elements have been explored for some years, and many academic reflections on such productions are now available (including, among others, Cox, 2015;Cox & Wake, 2018;Guterman, 2014;Jeffers, 2012;Lanz, 2016;Noriega, 2016). As pointed out by Staudt (2008, p. 18), the purpose of such representations is to raise awareness: "[p]erformance is a useful concept around which to analyze anti-violence social movements at the border."…”
Section: Theatrical Productions Of Selective Border Violencementioning
confidence: 99%
“…In the past ten years, waves of refugees have occurred in several countries such as those in Bangladesh, Malaysia, Australia and Indonesia (Devetak, 2004;Jeffers, 2012). Waves of refugees occur because of conflicts that occur in the country of origin.…”
Section: Introductionmentioning
confidence: 99%