One of the major features of Australian culture is the underpinning of the coast to our identity with a sense of place. As Douglas Booth (2001, 3) argues, the beach has become somewhat a "national preoccupation". Despite dwindling domestic tourism in recent times towards the coastline (Franklin et al. 2013), the beach itself remains a powerful symbol of Australian identity. This is evident especially in how Australian coastal places like Surfers Paradise, Noosa and Cairns in Queensland, Seal Bay and Cape Jarvis in South Australia, the Coral Coast in Western Australia, the Surf Coast in Victoria, and many other locations are marketed to international audiences through imagery of open beaches, leisurely pursuits and culinary delights. However, the valorisation or 'ascent' of the beach to this status within our culture has a deep history (Booth 2001;Lenček and Bosker 1998;Osbaldiston 2018; see also Olive 2015). The Australian colonial past represented the coast through words, paintings and photographs and these images have constructed present-day ideas about the beach (Dutton 1985). As Booth states, "these images, symbols, artefacts and words are neither passive nor neutral. Individually and collectively