“…However, while this holds true for most of reenactment history, including the current practice, postmodern reenactment culture is at least theoretically, and strategically, also a form of theatrical reappropriation of history, and therefore at least potentially a theatrical format that can be used for cultural and social empowerment (Hochbruck 2012). Reenactments are also simply a legitimate form of theatrical entertainment, though they have not been seen, leave alone treated, as a part of the field of Theatre & Drama Studies for most of their existence.…”