Recursos lingüísticos de la burla en la comedia aristofánica

Eire, Antonio López

doi:10.1007/978-3-476-02881-5_3

Cited by 28 publications

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La comedia de Aristófanes construye un espacio dramático heterogéneo, caracterizado por su dinamismo y por la multiplicidad de planos de referencia. Desde el punto de vista de los desplazamientos espaciales, los cambios de lugar son rápidos y constantes (Roy, 1996;López Eire, 2000;Bowie 2012); los personajes, lejos de moverse en un ámbito uniforme, pueden pasar de manera inmediata del campo a la ciudad o de su casa al Olimpo. El espacio de la ficción dramática también queda al margen de las barreras referenciales (Issacharoff, 1985).

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Notas sobre la representación del espacio dramático en la comedia de Aristófanes

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2024

Classica

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In this article I propose an exegetical and philological commentary on Bacchylides’ Epinician 3 accompanied by a poetic translation that incorporates the results into the target text in Brazilian Portuguese. My intention with this commentary is not only to draw the reader’s attention to the sophistication and complexity that underlies the apparent simplicity of Bacchylides’ poetry, but also to present new critical results regarding the poem’s exegesis. In the commentary, therefore, I explain my reasons for changing the textus receptus of Kenyon (1897) and Maehler (2003) at certain points, to reflect the advances made by textual criticism in recent years, as well as my own interpretation of certain passages. In this commentary, I also explain my translation choices whenever they diverge from more traditional ones.

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Notas sobre la representación del espacio dramático en la comedia de Aristófanes

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2024

Classica

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2019

The Encyclopedia of Greek Comedy

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The Cambridge Companion to Greek Comedy

2014

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Greek comedy flourished in the fifth and fourth centuries BC, both in and beyond Athens. Aristophanes and Menander are the best-known writers whose work is in part extant, but many other dramatists are known from surviving fragments of their plays. This sophisticated but accessible introduction explores the genre as a whole, integrating literary questions (such as characterisation, dramatic technique or diction) with contextual ones (for example audience response, festival context, interface with ritual or political frames). In addition, it also discusses relevant historical issues (political, socio-economic and legal) as well as the artistic and archaeological evidence. The result provides a unique panorama of this challenging area of Greek literature which will be of help to students at all levels and from a variety of disciplines but will also provide stimulus for further research.

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Recursos lingüísticos de la burla en la comedia aristofánica

Cited by 28 publications

References 0 publications

Notas sobre la representación del espacio dramático en la comedia de Aristófanes

Notas sobre la representación del espacio dramático en la comedia de Aristófanes

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The Cambridge Companion to Greek Comedy

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