Abstract:The colonial encounter instituted the hegemony of documentary practices over oral, performative and manuscript practices. Only knowledge validated through the process of print publication could stand the test of legal scrutiny. On the one hand the Western epistemological quest glossed over ideas that existed through ephemera, on the other hand that knowledge which Western print practices imbibed from non-European traditions were henceforth, locked behind intellectual property regimes and restrictive archival p… Show more
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