1996
DOI: 10.1080/09687599627651
|View full text |Cite
|
Sign up to set email alerts
|

Reconstructing the Self: Photography, education and disability

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
3
1
1

Citation Types

0
12
0

Year Published

2002
2002
2014
2014

Publication Types

Select...
5
2
1

Relationship

0
8

Authors

Journals

citations
Cited by 16 publications
(13 citation statements)
references
References 0 publications
0
12
0
Order By: Relevance
“…Photo-elicitation uses photographs to guide interviews and to stimulate discussions during those interviews. At times the research participants respond to existing photographs that might be in books or other areas of public domain (for example, Newhury, 1996;Smith & Woodward, 1999). At other times, the participants react to photographs that the researcher produced (for example, Collier, 1967;Suchar & Roienherg, 1994).…”
Section: Data Collection and Analysismentioning
confidence: 98%
“…Photo-elicitation uses photographs to guide interviews and to stimulate discussions during those interviews. At times the research participants respond to existing photographs that might be in books or other areas of public domain (for example, Newhury, 1996;Smith & Woodward, 1999). At other times, the participants react to photographs that the researcher produced (for example, Collier, 1967;Suchar & Roienherg, 1994).…”
Section: Data Collection and Analysismentioning
confidence: 98%
“…By transforming existing public photographic images to reflect their critique, people with intellectual disabilities can create images that oppose the meanings of disability inscribed in the originals, not to ''fix'' photographic images, or to determine ''correct'' disability images (an impossible task in light of the heterogeneity of disability and disability experience), but to render new meanings (Derrida, 1998(Derrida, , 2001a. Photographs that challenge or defy expectations rather than confirming them can be extraordinarily powerful (Newbury, 1996). By inviting nondisabled people to exhibits of the work and engaging them in conversation, a space and opportunity for potentially transformative interactions between people with and without intellectual disabilities is opened (Cole & McIntyre, 2004).…”
Section: Knowing Through Seeing: Photographic Representation and Intementioning
confidence: 98%
“…project. Its design reflected participatory and inclusive research ideologies (Goodley & Moore, 2000;Knox, Mok, & Parmenter, 2000;Newbury, 1996) and arts-informed research methodologies (Cole & McIntyre, 2004;Knowles & Thomas, 2002;Phillips, 2001). Theoretically, it is grounded in critical disability theory and Emmanuel Levinas' idea of our ethical responsibility to the alterity of the Other.…”
Section: Knowing Through Seeing: Photographic Representation and Intementioning
confidence: 99%
See 1 more Smart Citation
“…3,6,13,20,21,24,27]. The social function of photography as a means of expression in SEND classrooms, however, is a currently underexplored setting for HCI and related research [10].…”
Section: Introductionmentioning
confidence: 99%