2020
DOI: 10.1080/07494467.2020.1806627
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Reclaiming the ‘Contemporary’ in Indigeneity: The Musical Practices of Cris Derksen and Jeremy Dutcher

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Cited by 1 publication
(2 citation statements)
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“…However, such decolonial desires are complicated by my position as a university musicology professor. Much of my current research as a musicologist is about contemporary Indigenous musicians such as Tanya Tagaq (2012;2017), A Tribe Called Red (2015,2016,2019), and Cris Derksen (2020) as Indigenous artists working within and across Euro-American popular and classical genres. I am indebted to artist, activist, and scholar David Garneau in helping me understand how settler colonialism is pervasive in academia.…”
Section: What Why and How Does A Settler Non-citizen Musicologist Dmentioning
confidence: 99%
See 1 more Smart Citation
“…However, such decolonial desires are complicated by my position as a university musicology professor. Much of my current research as a musicologist is about contemporary Indigenous musicians such as Tanya Tagaq (2012;2017), A Tribe Called Red (2015,2016,2019), and Cris Derksen (2020) as Indigenous artists working within and across Euro-American popular and classical genres. I am indebted to artist, activist, and scholar David Garneau in helping me understand how settler colonialism is pervasive in academia.…”
Section: What Why and How Does A Settler Non-citizen Musicologist Dmentioning
confidence: 99%
“…More than one student declared they were eager to learn about music outside of the canon 11 Tagaq's music is used in the film. In addition, the #sealfie movement, in which Tagaq participated (Woloshyn 2017), is discussed in the film.…”
Section: North American Indigenous Music Seminar: Implementation Feementioning
confidence: 99%