Reclaiming Cross-Dressing: Masculinity Construction in the All-Female Yue Opera’s Shakespearean Adaptations
Yueqi Wu
Abstract:Because it offers the stage such scope for polyerotic interpretation, crossdressing has held an irresistible appeal to theatre practitioners across times and cultures, including Shakespeare in early modern England. The Shakespearean cross-dressing theatre, however, has long excited critical disapprobation as a cultural form which excluded women. However, can cross-dressing as a theatrical device be reclaimed by women as an alternative mode of Shakespearean performance? What academic and practical significance … Show more
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