2017
DOI: 10.1016/j.childyouth.2017.07.016
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Recalcitrance, compliance and the presentation of self: Exploring the concept of organisational misbehaviour in an English local authority child protection service

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Cited by 5 publications
(8 citation statements)
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“…Notwithstanding the potential of Goffman's proposal for the analysis of an increasingly digital world (Vigmo & Lantz-Andersson, 2014;Leigh, 2017;Bullock, 2018;Portillo, Rudes, Viglione, & Nelson, 2013;Cho et al, 2016), there seems to be a greater plasticity in the presentation of the self in an online context, in a more fluid identity (Hanusch, 2017;Leaver & Highfield, 2018;Lyons, 2018), in which the professional, social and personal dimensions can be combined (Hanusch, 2017).…”
Section: Resultsmentioning
confidence: 99%
See 1 more Smart Citation
“…Notwithstanding the potential of Goffman's proposal for the analysis of an increasingly digital world (Vigmo & Lantz-Andersson, 2014;Leigh, 2017;Bullock, 2018;Portillo, Rudes, Viglione, & Nelson, 2013;Cho et al, 2016), there seems to be a greater plasticity in the presentation of the self in an online context, in a more fluid identity (Hanusch, 2017;Leaver & Highfield, 2018;Lyons, 2018), in which the professional, social and personal dimensions can be combined (Hanusch, 2017).…”
Section: Resultsmentioning
confidence: 99%
“…Backstage areas are, hence, like the backstage of a theatre outside the stage. Backstage allows actors to prepare their performance on stage by preparing their more formal performance to perform a role (Bute, 2016;Cain, 2012;Chen & Wang, 2018;Cho et al, 2016;Giddens, 1997;Goffman, 1993;Leigh, 2017). According to Cain (2012), -The two regions have a symbiotic relationship in that activities in the backstage allow workers to maintain appropriate behaviors during the front stage, while front stage activities provide fodder for discussions and activities in the back region‖ (p. 669).…”
Section: And 566);mentioning
confidence: 99%
“…Goffman's dramaturgy model introduces social interaction through theatrical metaphor (Hunt and Benford, 1997;Hope and LeCoure, 2010). Leigh (2017) and da Cunha (2013) are contemporary examples of ethnographic-dramaturgical organisational studies that inspire this study design.…”
Section: Methodology 41 Research Methodsmentioning
confidence: 99%
“…When the performance is over, it returns to backstage mode. The backstage is also a place to isolate the actors and the audience [2] [10] . On the assumption that human-to-human communication is performative, the new media age of 'virtual' socializing forms a new interpersonal interaction model and demonstrates new communication features.…”
Section: Dramaturgical Theory In Online Social Networkingmentioning
confidence: 99%