The Oxford History of the Novel in English 2011
DOI: 10.1093/acprof:osobl/9780199560615.003.0018
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Realism and Theories of the Novel

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“…20 There is something of a slight in this remark, for at a time of literary innovation with the new realism of the 1890s and the work of early modernists like Henry James and Joseph Conrad, the stress on 'explicitly' suggests Galsworthy's inclination towards the encompassing, omnipotent and deterministic prose style associated with Victorian social realism. 21 One of the overriding purposes of Victorian social realism was to convey a sense of social and moral certainty from the represented world to the real world, and in Virginia Woolf's view, this was precisely what Galsworthy's fiction sought to do. 22 Yet, in the very composition of Fraternity Galsworthy was aware of something different going on, observing to Edward Garnett that it was 'a queer book.…”
Section: Fraternity and Its European Othersmentioning
confidence: 99%
“…20 There is something of a slight in this remark, for at a time of literary innovation with the new realism of the 1890s and the work of early modernists like Henry James and Joseph Conrad, the stress on 'explicitly' suggests Galsworthy's inclination towards the encompassing, omnipotent and deterministic prose style associated with Victorian social realism. 21 One of the overriding purposes of Victorian social realism was to convey a sense of social and moral certainty from the represented world to the real world, and in Virginia Woolf's view, this was precisely what Galsworthy's fiction sought to do. 22 Yet, in the very composition of Fraternity Galsworthy was aware of something different going on, observing to Edward Garnett that it was 'a queer book.…”
Section: Fraternity and Its European Othersmentioning
confidence: 99%