Abstract:In this paper, we analyze the electroacoustic composition All Round Me by Russell Pinkston. We present three main analytical aspects: (1) identification and classification of materials of each section based on Dennis Smalley’s theory of spectro-morphology and Michel Chion’s metaphorical description of sound objects; (2) representation of materials through graphical transcriptions to illustrate the structuring and transformation of these materials throughout the work; (3) narrative description based on the idea… Show more
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