Reading with &amp;quot;The Eye of Faith&amp;quot;: The Structural Principle of Hawthorne's Romances

Ullén, Magnus

doi:10.1353/tsl.2006.0004

Cited by 2 publications

(1 citation statement)

References 27 publications

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“…By making the reader sympathize with the lovers, Thomas importantly underscores, Hawthorne transfers this dilemma to the reader. I would add, as I have stressed elsewhere, that he thereby brings “our capacity for sympathetically engaging the artist's work” directly to bear on the romance, “to the effect that our sympathy (or lack thereof) becomes an integral part of the very romance we read” (Ullén , 27).…”

Section: Hawthorne and The Realmentioning

confidence: 99%

The Problem of Modernity

Ullén

2017

Orbis Litterarum

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This article suggests that the ideologically aware mode of criticism that characterizes recent Hawthorne criticism is not the radical break with an earlier mode of criticism that it might appear to be, but rather a continuation of it. While laudable, the crucial aim of recent critics, to elucidate the relationship between literary text and social context, is in practice often compromised by the notion that literary works are more valuable if they can be shown somehow to predate or prefigure our own historical situation. This notion, however, is itself an article of faith, and needs to be critically examined if ideological analysis is to retain its productivity. To that end, the present article suggests that literary criticism would do well to focus not so much on the literary text as on the literary situation, which involves not only the writer and the original audience of the text, but its subsequent readings as well.

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Section: Hawthorne and The Realmentioning

confidence: 99%