This article examines the influences of Calvinist theology and Cambridge Platonism on the religious poetry of Elizabeth Singer Rowe, specifically considering how she attempts to reconcile these schools of thought in her explorations of the nature of man's perception of the divine and his ability to reason. Analysing Rowe's poetry in this way reveals rich nuances of literary construction and theological enquiry, challenging the view that Dissenting poetry is merely an exercise of piety.