2009
DOI: 10.1080/02687030802635832
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Reading comprehension by people with chronic aphasia: A comparison of three levels of visuographic contextual support

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Cited by 58 publications
(60 citation statements)
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References 23 publications
(4 reference statements)
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“…No-context drawings or icons are depictions of single objects, people, or animals with a neutral background and no context; no-context photographs-such as portraits-are similar to no-context drawings in that they portray single objects, animals, or people without interaction and against a neutral background. Low-context drawings are depictions of one or more people, animals, or objects in an appropriate environmental setting but without any interaction present; similarly, low-context photographs depict one or more people, animals, or objects in a natural environment but without any interaction (Dietz et al, 2006;Dietz, Hux, McKelvey, & Beukelman, 2009;Wallace, Hux, & Beukelman, 2010). Low-context drawings and photographs contrast with high-context drawings and photographs in that the latter display one or more people, animals, or objects interacting with one another or the depicted environment (Dietz et al, 2006(Dietz et al, , 2009.…”
Section: Combining Contextualization and Image Typesmentioning
confidence: 99%
“…No-context drawings or icons are depictions of single objects, people, or animals with a neutral background and no context; no-context photographs-such as portraits-are similar to no-context drawings in that they portray single objects, animals, or people without interaction and against a neutral background. Low-context drawings are depictions of one or more people, animals, or objects in an appropriate environmental setting but without any interaction present; similarly, low-context photographs depict one or more people, animals, or objects in a natural environment but without any interaction (Dietz et al, 2006;Dietz, Hux, McKelvey, & Beukelman, 2009;Wallace, Hux, & Beukelman, 2010). Low-context drawings and photographs contrast with high-context drawings and photographs in that the latter display one or more people, animals, or objects interacting with one another or the depicted environment (Dietz et al, 2006(Dietz et al, , 2009.…”
Section: Combining Contextualization and Image Typesmentioning
confidence: 99%
“…Quanto maior o fornecimento de pistas contextuais tanto linguísticas como visuais, mais o indivíduo afásico poderá se beneficiar para a compreensão de um texto, seja ele oral ou escrito (KUMAR; GOSWAMI, 2012). Dentro desse nicho, destacam-se os estudos de Germani e Pierce (1992) e Dietz (2008), que avaliam a compreensão de textos em indivíduos afásicos a partir de narrativas e informações contextuais, respectivamente.…”
Section: O Uso De Narrativas Para a Avaliação Da Influência Do Contextounclassified
“…O estudo de Dietz (2008) avaliou o impacto da compreensão afásica com o auxílio de três níveis de contexto visual -a) narrativas com cenas altamente contextualizadas, b) narrativas com cenas pouco contextualizadas e c) textos com fotos descontextualizadas. Foram utilizadas no total 12 cenas: três sem contexto, três muito contextualizadas e três pouco contextualizadas.…”
Section: O Uso De Narrativas Para a Avaliação Da Influência Do Contextounclassified
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“…Several investigators have documented communicative success using visuographic supports (e.g., photographs, souvenirs, maps, magazine, or newspaper articles) during interactions with people with aphasia (Fox & Fried-Oken, 1996;Garrett & Huth, 2002;Ho et al, 2005). VSDs appear to offer similar support by providing personal, visuographic, contextual information to clarify content and facilitate access to residual language abilities (Dietz, Hux, McKelvey, & Beukelman, 2009;Dietz, Knollman-Porter, Hux, Toth, & Brown, 2014;Dietz, Weissling et al, 2014;. Thus, VSDs may improve communicative effectiveness and, in turn, the social interactions of people with chronic, severe aphasia.…”
Section: Autobiographical Memory and Retained Visuocognitive Abilitiesmentioning
confidence: 99%