Abstract:This chapter takes the pioneering visual epistemology of the art historian Aby Warburg as the starting point for a guide to reading comics. It transposes Warburg's montage of images in the incomplete Mnemosyne Atlas to comics along two axes: it treats comics pages as collages and examines the symbolic and emotional charge of comics images. The Mnemosyne Atlas acquires special relevance through reading comics as collages of words, images, panels and of different media or imitations thereof. Combining the ideas … Show more
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