“…Besides internal social institutions (e.g., Fabrikwohlfahrtspflege, BASF) and external corporate engagement (e.g., Rockefeller Foundation) securing certain social security/ health standards or facilities for leisure for their employees and beyond, donation was also attached to patronage for arts and culture. Taking the spatial dimension of corporate engagement into account, the rise of corporate housing constructions (e.g., Margarethenhöhe, Germany (owned by German industrialist Alfred Krupp, Essen, Germany), Ford Homes in Detroit or Deadborn, USA) and the establishment of so-called company town (e.g., Siemensstadt in Northwest Berlin, Germany, American Railway Union, Pullman, IL, USA, Volkswagen in Wolfsburg, Germany, or Lego in Billund, Denmark) provide evidence here (Garner 1992;Albers and Suwala 2020c). The postindustrial phase of corporate engagement is not so much associated with secular and heroic images of corporate donors, but with rather pragmatic and everyday necessities of knowledge-driven societies.…”