Abstract:Marcantonio Raimondis so-called Caryatid Façade has received scant attention, yet
it occupies an important place in the printmakers oeuvre and was widely admired
and imitated in the sixteenth century. The image, which features an
architectural façade adorned with Caryatid and Persian porticoes and an
oversized female capital, does not fit easily with the usual narrative about
Raimondis career in Rome, su… Show more
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