Rape at the Opera

Abstract

List of Illustrations viiAcknowledgments ixmust begin by thanking Lloyd "Chip" Whitesell who advised me in what began as a seminar paper about Egoyan's Salome and grew into the dissertation that provided the groundwork for this book. I am extremely grateful for his mentorship, guidance, and friendship. I was fortunate to conduct a lot of this research at McGill University with the support of its faculty and students. I could not have completed this book without the support, advice, and encouragement of