2004
DOI: 10.22230/cjc.2004v29n1a1408
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Rap Music and Street Consciousness

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“…Therefore, it helps the formation of the cultural identity of the singers and their listeners as well as informing (Krims, 2000). This music genre also presents cultural values by addressing ethnic groups in the society (Keyes, 2004). One of the subjects tackled is the deprivation of some rights of black people, are generally one of the ethnic groups.…”
Section: Literature Review Gender and Women In Rap Musicmentioning
confidence: 99%
“…Therefore, it helps the formation of the cultural identity of the singers and their listeners as well as informing (Krims, 2000). This music genre also presents cultural values by addressing ethnic groups in the society (Keyes, 2004). One of the subjects tackled is the deprivation of some rights of black people, are generally one of the ethnic groups.…”
Section: Literature Review Gender and Women In Rap Musicmentioning
confidence: 99%
“…UU. ), en los inicios de la década de los 70 del siglo pasado, donde se unen la influencia de los inmigrantes fundadores americanos y las tradiciones de los bailes públicos jamaicanos de mitad del siglo pasado con las personalidades de las radios y los poetas musicales de los años 60 y 70 como principales influencias para su fundación (Keyes, 2004). Dentro del hip hop definido como un todo, se encuentran otras manifestaciones culturales más allá del rap -acrónimo de Rhythm And Poetry, ritmo/cadencia y poesía-como el turntablism, el graffiti o el breakdance, que están dentro de esta "forma de vida".…”
Section: Rap Estilo Libre Batallas De Gallos Figuras Retóricas Anális...unclassified