2000
DOI: 10.1002/1097-4555(200010)31:10<933::aid-jrs625>3.0.co;2-0
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Raman study of the microstructure, composition and processing of ancient Vietnamese (proto)porcelains and celadons (13-16th centuries)

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Cited by 96 publications
(104 citation statements)
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“…The adoption of micro-Raman spectroscopy as a nondestructive technique for the characterization of ancient ceramics has produced a literature extending from Egyptian 18th Dynasty (14th century BC) faience, 1 Vietnamese prototype porcelains and celadons (13-16th centuries), 2,3 Greek terracotta, 4 Islamic (13-17th centuries) faience and pottery, 5 mediaeval-type glazed roof tiles (14-17th centuries), 6 Roman (2nd-3rd centuries) terracotta paint pots 7 and Chinese porcelains. 8,9 From such an eclectic and diverse range of synthetic ware it has been possible to deduce the salient features of the ceramic bodies, glazes and applied pigments, where appropriate.…”
Section: Introductionmentioning
confidence: 65%
“…The adoption of micro-Raman spectroscopy as a nondestructive technique for the characterization of ancient ceramics has produced a literature extending from Egyptian 18th Dynasty (14th century BC) faience, 1 Vietnamese prototype porcelains and celadons (13-16th centuries), 2,3 Greek terracotta, 4 Islamic (13-17th centuries) faience and pottery, 5 mediaeval-type glazed roof tiles (14-17th centuries), 6 Roman (2nd-3rd centuries) terracotta paint pots 7 and Chinese porcelains. 8,9 From such an eclectic and diverse range of synthetic ware it has been possible to deduce the salient features of the ceramic bodies, glazes and applied pigments, where appropriate.…”
Section: Introductionmentioning
confidence: 65%
“…2, 3 and 5 the presence of anatase is clearly observed with characteristic bands at 638, 398 and 143 cm −1 [18]. Anatase is a component of the kaolin china clay and is a strong Raman scatterer; it is converted to rutile at temperatures ranging from 400 to 1200 °C and therefore its presence provides a good estimate of kiln temperatures [19][20][21][22]. Although it is recorded in the literature of artists' pigments that anatase is a twentieth century pigment, its presence in ancient Chinese porcelains as a component of kaolin is well-founded from Raman spectroscopic data [23,24].…”
Section: Shards #1 and #3 From The Santa Maria Madre De Deusmentioning
confidence: 92%
“…Some bands can be identified, others not. The bands positioned at 235, 440 (under 463 cm -1 ), and 614 cm -1 might be from rutile (TiO 2 ) [30]. The band at 235 cm -1 on the other hand can also be from CaSb 2 O 6 , together with the band at 463 and 669 cm -1 [31].…”
Section: Blue Tesseraementioning
confidence: 99%