Taking up the intersections of race, gender, sexuality, and "pit bull" politics, this article explores the problems and promises of trans* spectatorship, trans* affect, new media, and animal studies. The popular Animal Planet show Pit Bulls and Parolees grounds the analysis, which is focused on the ways that race and masculinity figure in the show's politics and practices of salvation of both dogs and men, joining this discussion with an exploration of how affect as a sense of bodily movement and feeling figures in the material practices of new media spectatorship involving nonhuman animals. Working through a sense of specifically trans* affect, the article uses autoethnographic examples from the author's own transition and viewership to explore the possibilities of a broader multispecies trans*-affective politics.W hen I first began taking testosterone, I was struck by my inability to cry.Intensities and emotions were there, indeed intensities and feelings sometimes felt like they were all that was there, spilling over at every turn and steering me somewhat forcefully through life, but the tears just would not come. I set to searching different media, trying to find something, anything, that would work as a tearjerker. And then I found Pit Bulls and Parolees.Pit Bulls and Parolees stars Tia Torres and her daughters, all of them white, and a changing cast of men on parole, mostly brown, who all work together at Torres's pit bull rescue center, Villalobos. The show centers on deliberately paired salvation narratives, evident in the promotional ad for the third season, in which one of the men states in a voiceover, "She saw something in me that she felt was worth saving," as images of pit bulls running and "UNWANTED" and "UNDAUNTED" flash across the screen. "These dogs and men deserve a second chance," asserts Torres. 1 Most of the episodes feature stories of dogs being retrieved from terrible conditions and rehabilitated by Torres, her daughters, and the parolees who work for them. And at each episode's end, the dogs move into