Quality of Experience for High Definition Presentations - Case: Digital Cinema

Perkis, Andrew; Rahayu, Fitri N.; Reiter, Ulrich; You, Junyong; Ebrahimi, Touradj

doi:10.1007/978-3-642-12802-8_2

Cited by 2 publications

(4 citation statements)

References 9 publications

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“…This includes advertising, live events (sport, music), educational and gaming [2]. The exploitations of ODS at Trondheim cinema have ranged from Laparoscopic surgery, live stream music concert from various genres (including heavy metal and opera), and live stream of World Cup 2010 matches in 3D.…”

Section: Alternative Content In Digital Cinemamentioning

confidence: 98%

“…The framework to assess the user's behavior and the necessary technology management is based on assessing the user experience in a consistent way, and rewarding the user's loyalty through innovative packages and new engaging services. Thus, QoE assessments are crucial for driving the innovations in DCinema industry [2].…”

Section: Quality Of Experiencementioning

confidence: 99%

“…One of the main problems that hold back the successful roll out of D-Cinema in the market is that the exhibitors are those in value chain with the least benefit of the digitization. However, there are optimistic prospect to embrace D-Cinema pushed by two technical reinventions: the rebirth of 3D and the possibility for exhibitors to screen alternative content [2].…”

Section: Introductionmentioning

confidence: 99%

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Exploring alternative content in Digital Cinema

Rahayu

Ebrahimi

Perkis

2010

2010 16th International Conference on Virtual Systems and Multimedia

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Digital Cinema (D-Cinema) business is much more than feature films. Experimentation by showing programming other than feature films has been carried out since the early days of D-Cinema. Alternative content in Digital Cinema enables the cinema to become a multi-arts venue, attracting new and existing users by offering a range of vary products. We give an overview on this alternative content. Human factors issue-Quality of Experience (QoE), which is closely associated with the adoption of alternative content in D-Cinema, is also discussed.

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Section: Alternative Content In Digital Cinemamentioning

confidence: 98%

Section: Quality Of Experiencementioning

confidence: 99%

Section: Introductionmentioning

confidence: 99%

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Exploring alternative content in Digital Cinema

Rahayu

Ebrahimi

Perkis

2010

2010 16th International Conference on Virtual Systems and Multimedia

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“…Perception of quality in aesthetic content needs to be addressed from the user's experiential perspective. As expectations of technological consumption change, there is increasing need for new mechanisms to understand the evolving user experience, and so research on multimedia quality has shifted its focus to QoE [13,38,56].…”

Section: Introductionmentioning

confidence: 99%

Implicit experiences as a determinant of perceptual quality and aesthetic appreciation

Mansilla

Perkis

Ebrahimi

2011

Proceedings of the 19th ACM International Conference on Multimedia

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Since the Dadaist refusal of the conventional standards in art, followed by Fluxus` rejection of art as a commodity, and recently, the popularity of Internet and technology in art, artworks have become difficult to recognize as artworks in themselves. Modern works of art are no longer readily only seen today, more often fully experienced. The processing of an aesthetic experience needs a new understanding in terms of the changing context of art and the experiential perspective of art recipients. In the multimedia arena, the valid assumption is that, evaluations of aesthetic experiences are mostly based on the accessible information on the surface of the medium. Several research groups in psychology question the singularity of exterior-level assumptions demonstrating that there are modulating factors that affect aesthetic experiences and one of these is implicit experience. In this paper, we review the significance of empirical aesthetics in psychology and from the artistic point of view combined with a technical and experiential perspective. We also discuss our approach of considering the implications of implicit experiences to the modelling of Quality of Experience (QoE) where this is used as a measurement of perception and aesthetic judgment of contemporary and modern works of art.

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Quality of Experience for High Definition Presentations - Case: Digital Cinema

Cited by 2 publications

References 9 publications

Exploring alternative content in Digital Cinema

Exploring alternative content in Digital Cinema

Implicit experiences as a determinant of perceptual quality and aesthetic appreciation

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