2012
DOI: 10.1111/j.1467-9906.2012.00607.x
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Pushing the Urban Frontier: Temporary Uses of Space, City Marketing, and the Creative City Discourse in 2000S Berlin

Abstract: In spite of the amount of urban development that followed the Fall of the Wall, Berlin's urban landscape has remained filled with a large amount of "voids" and disused sites, which have gradually been occupied by various individuals, groups, or entrepreneurs for "temporary" or "interim" uses (such as urban beach bars). This paper analyzes how, and why, such temporary uses of space have been harnessed in recent economic and urban development policies and in the official city marketing discourse in Berlin post-… Show more

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Cited by 247 publications
(202 citation statements)
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“…"….in Berlin we are modern, we are not fat, you know?" Berlin has developed a global reputation as a creative hub and cultural capital since reunification and the city has had a reputation as a centre of support for progressive politics in Germany since the 1970's and 1980's (Colomb, 2012;Shaw, 2005). Significantly, Berlin's particularly alternative and hipster image has become increasingly entwined with a form of fashionable bicycle culture (Fick, 2013;The Bike In My Life, 2012;Daily Mail, 2013).…”
Section: Re-examining Berlin's Cycling Transitionmentioning
confidence: 99%
“…"….in Berlin we are modern, we are not fat, you know?" Berlin has developed a global reputation as a creative hub and cultural capital since reunification and the city has had a reputation as a centre of support for progressive politics in Germany since the 1970's and 1980's (Colomb, 2012;Shaw, 2005). Significantly, Berlin's particularly alternative and hipster image has become increasingly entwined with a form of fashionable bicycle culture (Fick, 2013;The Bike In My Life, 2012;Daily Mail, 2013).…”
Section: Re-examining Berlin's Cycling Transitionmentioning
confidence: 99%
“…While initiatives have contributed substantially to the quality of the open space, there has neither been any scope for the projects to effectively shape the planning process, nor does the current park design secure the continuation of their projects. In this sense, participatory strategies can be seen to provide an interim strategy against the loss of property value that has helped to market and 'brand' the site (see also Colomb, 2012b).…”
Section: Activation and Control: A Narrative Of Building Consensusmentioning
confidence: 99%
“…In policy mobility studies the origins of the creativity idea in the national public policy was traced back to the New Labour's third way politics in the United Kingdom at the end of the 1990s' (Prince 2010b). Although several studies looked at the Anglo-American policy transfer of creativity into different industrial settings of the 'core countries' (Atkinson &Easthope 2009;Colomb 2012;Gibson et al 2012;Peck 2012), less emphasis was put on the peripheral or semi-peripheral dependent economies outside the centres of global capitalism. A probable exception is the case of New Zealand: this country is informative in the sense that it was in the forefront of neoliberal market reforms and the import of fresh policy agendas, although it is located geographically in the periphery (cf.…”
Section: Creative Capital Policy Mobilities and The Post-socialist Citymentioning
confidence: 99%