Psychophysiological Assessment of the Effectiveness of Emotion Regulation Strategies in Childhood

Abstract

Effective regulation of emotion is one of the most important skills that develops in childhood. Research interest in this area is expanding, but empirical work has been limited by predominantly correlational investigations of children's skills. Relatedly, a key conceptual challenge for emotion scientists is to distinguish between emotion responding and emotion regulatory processes. This paper presents a novel method to address these conceptual and methodological issues in child samples. An experimental paradigm that assesses the effectiveness with which children regulate emotion is described. Children are randomly assigned to use specific emotion regulation strategies, negative emotions are elicited with film clips, and changes in subsequent psychophysiology index the extent to which emotion regulation is effective. Children are instructed to simply watch the emotion-eliciting film (control), distract themselves from negative emotions (cognitive distraction), or reframe the situation in a way that downplays the importance of the emotional event (cognitive reappraisal). Cardiac physiology, continuously acquired before and during the emotional task, serves as an objective measure of children's unfolding emotional responding while viewing evocative films. Key comparisons in patterns of obtained physiological reactivity are between the control and emotion regulation strategy conditions. Representative results from this approach are described, and discussion focuses on the contribution of this methodological approach to developmental science.

Intrapersonal Emotion Regulation Processes Influence What Children Remember About Their Emotional Experiences

“…Children were trained to self-report their sadness, fear, anger, and happiness using 4-point cartoon face scales (separate scales for each emotion as has been used in our prior studies; Davis & Levine, 2013;Davis, Parsafar, Quiñones-Camacho, & Shih, 2017). The scales depict faces in increasing order of emotional intensity (anchors: "not at all," "a little," "pretty much," and "very" sad/scared/angry/ happy).…”