“…As Raminder Kaur's (2005:4-5) ethnography of performative politics and Hinduism in colonial and postcolonial India, has demonstrated, modes of apprehending the nation … have been and continue to be, fired by the viscerality of performances -gatherings, marches, campaigns, ceremonies, festivals, processions, and so forth. Achille Mbembe's (1992) argument about the dramaturgy of the African postcolonial state adds another important point. He demonstrates, with special reference to Cameroon, that performance and ritual play a crucial role in the making and re-making of the relations between rulers and the ruled citizens.…”