Prototyping Web instruments with Mosaicode

Gomes, Andre S.; Resende, Frederico; Gonçalves, Luan Luiz; Schiavoni, Flávio Luiz

doi:10.5753/sbcm.2019.10431

Cited by 3 publications

(4 citation statements)

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“…Scientists also investigate the evolution of the intonation fund and the means of recording it and transmitting it to listeners, namely through audio applications, when a mobile portable device becomes a musical instrument, and the audience turns into a part of the soundscape (Gomes et al, 2019;Teixeira et al, 2019). The sphere of the modernized musical space its sociological and ecological nuances are being studied (Vieira et al, 2020a;2020b).…”

Section: Group Techniquementioning

confidence: 99%

G. Ligeti’s Hamburg Concerto as a Summary of Late Artistic Tendencies

Zharkova,

Zharkov,

Antonova

et al. 2023

Harmonia

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The relevance of this study is conditioned upon the need to highlight the internal content of the modern academic musical language and, specifically, the features of the late work of G. Ligeti. This paper aimed to conduct an in-depth study, comprehensively covering, analyzing, and generalizing the panoramic display of the creative traditions of G. Ligeti in the context of world musical art. The materials of this paper are sources that illuminate the path of stylistic search and the evolution of the musician’s composition, as well as information about the leading directions of the modern world academic musical environment. The research methods included a search and collection of information base dedicated to the Hamburg Concerto by G. Ligeti; analysis and compilation of available materials; determination of the leading categories of the phenomenon presented in the late period of the composer’s work; showing his stylistic and compositional principles as a single multifaceted system. The result of the study was the individual author’s concept of vision of the role, significance, and content of G. Ligeti’s work in the history of academic musical art. The practical significance of this study was manifested in the demand for the results of this study among students of secondary and higher musical educational institutions, as well as among specialists investigating the processes of transformation and expansion of the boundaries of the melodic, compositional, and technical arsenal of professional musical creativity.

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Section: Group Techniquementioning

confidence: 99%

G. Ligeti’s Hamburg Concerto as a Summary of Late Artistic Tendencies

Zharkova,

Zharkov,

Antonova

et al. 2023

Harmonia

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“…Esta extensão envolve Blocos de HTML reativos conectados por meio do padrão de projeto Observador. Estes Blocos possuem diversas funcionalidades para síntese musical, criação de sons, Criação de formulários HTML, Criação de elementos gráficos para a web, captura de sensores por páginas em dispositivos móveis, síntese de imagem com SVG e Canvas, entre outras [Gomes et al 2019]. • Síntese de imagens: Baseado na biblioteca open source OpenGL na linguagem C, criou-se uma extensão para a síntese de imagem em 2D e 3D.…”

Section: Extensões Do Mosaicodeunclassified

“…Na refatoração do código, a ferramenta foi reescrita e sua arquitetura foi modificada de maneira a trabalhar com extensões e plugins. Após isto, novas extensões foram desenvolvidas para atender outros domínios de aplicação além da Visão Computacional e se estendendo para o domínio da Arte Digital, Computação Musical, Computação Gráfica, Processamento Digital de Imagens, Realidade Virtual e Aumentada[Luiz Gonçalves 2017, Gonçalves andSchiavoni 2019, Gomes et al 2019]. Isto permitiu isolar a geração de código da ferramenta inicial e adicionar à mesma outros domínios de aplicação e outras linguagens de programação.…”

Section: Conclusãounclassified

Do Harpia ao Mosaicode a Evolução de um Ambiente de Programação Visual

Gonçalves¹,

Schiavoni²

2020

Anais Da IV Escola Regional De Engenharia De Software (ERES 2020)

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“…Available on <http://jythonmusic.org> 6. Available on <https://faust.grame.fr/> 7. Available on https://alice.ufsj.edu.br.…”

mentioning

confidence: 99%

Creating Digital Musical Instruments with libmosaic-sound and Mosaicode

Gonçalves

Schiavoni

2020

RITA

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Music has been influenced by digital technology over the last few decades. With the computer and the Digital Musical Instruments, the musical composition could trespass the use of acoustic instruments demanding to musicians and composers a sort of computer programming skills for the development of musical applications. In order to simplify the development of musical applications several tools and musical programming languages arose bringing some facilities to lay-musicians on computer programming to use the computer to make music. This work presents the development of a Visual Programming Language (VPL) to develop DMI applications in the Mosaicode programming environment, simplifying sound design and making the creation of digital instruments more accessible to digital artists. It is also presented the implementation of libmosaic-sound library, which supported the VPL development, for the specific domain of Music Computing and DMI creation.

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Prototyping Web instruments with Mosaicode

Cited by 3 publications

References 0 publications

G. Ligeti’s Hamburg Concerto as a Summary of Late Artistic Tendencies

G. Ligeti’s Hamburg Concerto as a Summary of Late Artistic Tendencies

Do Harpia ao Mosaicode a Evolução de um Ambiente de Programação Visual

Creating Digital Musical Instruments with libmosaic-sound and Mosaicode

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