« Protection spirituelle » ou « vigilance spirituelle » ?

Theorizing Medieval Visual Art by Means of Information and Communication Sciences

“…As writes Ian Verstegen (2014) [35, p. 185], the "reversed" beliefs of religious opponents can function as much by contiguity as by similarity in the denial through destruction processes. Every one of those panels can be taken and understood in their own contemplative isolation; taken together, they mutually reinforce themselves and become part of total, global, accumulative visual syncretism that goes beyond a mere comparison of respective powers (Vincent, 2001) [36]. By metaphoric projection, with a "mise en scène" of specific iconographic choices in this specific wall painting, the Jouvenceaux village community narrates itself, for all to see (Blume et al, 2015) [5].…”