Abstract:This article probes into an exploration of Social stigmas and hierarchies in Saeed's Forgotten Faces that result in the detachment of an artist in society. The colonial rule of society proposed a new value to this research which mainly focuses on discrimination which leads towards the demise of folk theatre and its artists. Demise is the outcome of psychological discrepancies that come their way. This hegemonic supremacy of societal rules compels them to not have their own discourse and their desired way of sp… Show more
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