2015
DOI: 10.7577/pp.1322
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Professional Emotion Management as a Rehearsal Process

Abstract: The work of stage actors has long been used as a simile for every day role playing, generating theoretical concepts to describe how people work to present themselves in general and how they manage their emotions in particular. Building on this tradition, this article analyses professional stage actors' deliberate emotion management as an embodied professionalisation process, focusing the relation between emotional experience and expression through the concepts of decoupling, double agency and habituation. Obse… Show more

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Cited by 14 publications
(9 citation statements)
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“…Merging the emotive and cognitive thus emphasizes that the habituation of a frame's social constraints is a simultaneous process of learning to feel and learning to think in particular ways. Habituation 53 is the embodiment of emotional expressions, achieved through socialization, training, repetition over time. Frames become habituated and settled to the extent that people begin to take a frame-a certain way of understanding and responding to a situation-for granted 54 ; their emotion management and adjustment to situated emotion norms becomes backgrounded.…”
Section: A Theoretical Toolkit For the Analysis Of Emotions In Courtmentioning
confidence: 99%
“…Merging the emotive and cognitive thus emphasizes that the habituation of a frame's social constraints is a simultaneous process of learning to feel and learning to think in particular ways. Habituation 53 is the embodiment of emotional expressions, achieved through socialization, training, repetition over time. Frames become habituated and settled to the extent that people begin to take a frame-a certain way of understanding and responding to a situation-for granted 54 ; their emotion management and adjustment to situated emotion norms becomes backgrounded.…”
Section: A Theoretical Toolkit For the Analysis Of Emotions In Courtmentioning
confidence: 99%
“…Health professionalism involves embodiment in several ways: an embodied identity that becomes part of a person's identity (Monrouxe & Rees, 2017), an embodied practice (Hirvonen, 2014;Mol, 2008) where certain skills are embodied (cf. Bergman Blix, 2015), and a gendered practice (Hirvonen, 2014;Twigg, 2006). All of these aspects concern the embodying of health professionalism.…”
Section: Theoretical Approachesmentioning
confidence: 99%
“…In Barbalet's (2011: 39) words, the judge's attention is drawn "not only to objects and events external to the emoting subject but also to the emoting subject's internal states". Her emotional expression can thus be more or less congruent with her experience; if she keeps her expressionless stone face, it amounts to 'surface acting' (Hochschild, 1983) in which the expression of the emotion is decoupled from the experience (Bergman Blix, 2015). For Swedish judges, putting on the stone face represents a kind of surface-acting emotion management technique that helps them conform to the feeling rules of the courtroom.…”
Section: Emotion Emotion Management Habituationmentioning
confidence: 99%