2010
DOI: 10.1080/13569783.2010.495272
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Process drama and intercultural language learning: an experience of contemporary Italy

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Cited by 28 publications
(18 citation statements)
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“…Theatre is not only applied as a temporary bandage but also hopefully as a lasting nourishment. In asking what are the possibilities and limitations of applied theatre practices to empower individuals and communities and explore notions of identity, there is a growing body of knowledge that focuses on issues of social justice, equity and Research in Drama Education 233 diversity with respect to ethnic, racial, linguistic, economic and gender-based disadvantage, as well as interdisciplinary work that focuses on drama/theatre/performance and intercultural learning; diasporic communities; and language learners, linguistic diversity and multilingual practices (Dunn and Stinson 2011;Medina and Campano 2006;Piazzoli 2010;Stinson and Winston 2011;Rothwell 2011;Yaman Ntelioglou 2011).…”
Section: Crossing Boundaries Of Practicesmentioning
confidence: 99%
“…Theatre is not only applied as a temporary bandage but also hopefully as a lasting nourishment. In asking what are the possibilities and limitations of applied theatre practices to empower individuals and communities and explore notions of identity, there is a growing body of knowledge that focuses on issues of social justice, equity and Research in Drama Education 233 diversity with respect to ethnic, racial, linguistic, economic and gender-based disadvantage, as well as interdisciplinary work that focuses on drama/theatre/performance and intercultural learning; diasporic communities; and language learners, linguistic diversity and multilingual practices (Dunn and Stinson 2011;Medina and Campano 2006;Piazzoli 2010;Stinson and Winston 2011;Rothwell 2011;Yaman Ntelioglou 2011).…”
Section: Crossing Boundaries Of Practicesmentioning
confidence: 99%
“…The audience is an inseparable part of drama and theatre. When this component is omitted, there is a lack of drama performances and it also affects the quality of drama performances (Kalogirou et al, 2019;Minas, 2020;Piazzoli, 2010). This audience makes language learners have the ability to develop audience awareness through their performances, increase the motivation of language learners and improve writing skills as well, if the audience here is contextualised as readers.…”
Section: Authentic Audience Engagement In Drama-based Language Teachingmentioning
confidence: 99%
“…In generale, in epoca recente, piuttosto che essere considerato come un tipo di esercizio laboratoriale, tra i molti a disposizione dei docenti, ma senza un ruolo centrale nello sviluppo del corso di lingua, il teatro entra nella classe di lingua come una metodologia autonoma e riconosciuta dalla comunità scientifica per l'insegnamento e l'apprendimento linguistico (Schewe 2007). Nello stesso periodo acquista sempre più rilievo il ruolo del teatro nell'apprendimento interculturale delle lingue, filone che ha condotto alla produzione di diverse pubblicazioni e ricerche pertinenti (Fleming 2004;Byram, Fleming 1998;Neelands 2007;Piazzoli 2010).…”
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