Presence as Absence: The Homely and the Unhomely in Jewish Photography under Nazism
Shira Miron
Abstract:This article traces the change in practice and the transition of meaning in the photographs taken in Jewish homes in Germany under the Nazi regime. It draws on the ontological duality of absence and presence embedded in the medium of photography to analyze examples of such photographs selected from numerous archival and private collections, discerning a move away from the practice of interior photography as a tool of social affirmation in the late Weimar Republic toward its attestation of absence and loss shor… Show more
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