2020
DOI: 10.1017/mah.2020.11
|View full text |Cite
|
Sign up to set email alerts
|

Prescribing Sound: Willem Van de Wall and the Carceral Origins of American Music Therapy

Abstract: From 1921 until 1936, musician Willem Van de Wall pioneered the modern use of therapeutic music in American prisons and psychiatric institutions. His therapy was steeped in the methods and philosophy of social control, and after World War II, it shaped the professionalizing field of music therapy. Van de Wall's influence reveals an overlooked connection between modern clinical practice and the techniques of control employed in prisons and psychiatric hospitals of the early twentieth century. Given music therap… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1

Citation Types

0
3
0

Year Published

2021
2021
2024
2024

Publication Types

Select...
4
1

Relationship

0
5

Authors

Journals

citations
Cited by 5 publications
(3 citation statements)
references
References 47 publications
0
3
0
Order By: Relevance
“…According to the modal kinetic energy of the obtained optional degrees of freedom, the final configuration point of the sensor can be determined by selecting the m maximum test points in the modal kinetic energy [27][28].…”
Section: Modal Kinetic Energymentioning
confidence: 99%
“…According to the modal kinetic energy of the obtained optional degrees of freedom, the final configuration point of the sensor can be determined by selecting the m maximum test points in the modal kinetic energy [27][28].…”
Section: Modal Kinetic Energymentioning
confidence: 99%
“…Historically, music has held many contrasting roles in places of incarceration. It has been associated with counterculture and resistance, it has been employed for its perceived edifying virtues and it has been valued as an arena for social learning and transferrable skills (Coutinho et al, 2015a; Harbert, 2010; Hesmondhalgh, 2013; Vest, 2020). Also, as is increasingly documented, music has been employed as an instrument of power, discipline, incarceration and torture (Cusick, 2008; Digard and Liebling, 2012; Grant, 2013; Mangaoang, 2013; Waller, 2018).…”
Section: Music As An Ambivalent Presence In the Prisonmentioning
confidence: 99%
“…Two music-based projects in Aotearoa New Zealand prisons have provided significant support to offenders. The Singing With Conviction Pilot Project (SWCPP) programme was implemented in several of the Aotearoa New Zealand prisons between 2004-2005(Menning, 2010. It was modeled in part on a South African competitive prison singing group competition, however, given the distinct cultural aspects of Aotearoa New Zealand, adaptations were made to suit the local cultural context.…”
Section: Music-based Programmes In Aotearoa New Zealand Prisonsmentioning
confidence: 99%